Silas and Chet

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“He’s mean like nails,” I said, “but wise as the open sky.” I went further. “Last time I saw him, we were doing 105 in a dodge pickup with no windshield on it.”

“Huh. What’s his name?” asked Silas.

“Prince.

“Let’s go find him,” Silas said.

“Nah,” I said, testing him. “You’re full of shit. You’re stepping in it.”

“We leave tonight.”

Day 1. Highway 1, California. Silas drove with his cap cocked upwards, revealing a coating of caramelized sweat. I stared ahead at the swerving lines of the highway, content. I’d do anything for Silas. Loyalty lodged itself like a bullet in my chest.

Silas’ unkempt stubble struck two o’clock. He itched it with his scraggly, chewed fingernails, emitting a quiet screech like styrofoam rubbing together. My chest clenched, we said little. Words cracked apart the stillness like a spoon to a hard-boiled egg.

Shrubs, hot yellow sun. Ahead the curve sharpened into a sinister grin, as if to ask if were we expecting something other than this, the long yawning road.

“Prince laughs easily,” I said suddenly. “I never know what to say around that noble slab of a man.” Silas looked at me. “While we run around singing our rusty blues, Prince will find us. He’ll save us. We’ll stay up late playing Rummy. He’ll beam at us like we’re the only good ones left.” I blinked myself back to the road. Silas put his hand on his gut and burped.

“I never knew him too personally,” I went on. “He knows something, old bastard Prince. Some folks read philosophy when they want to know something, or hang upside down from trees. Lord knows one method’s damn near good as another. Me, I find Prince. I go to him like words on a page.”

Silas nodded, then poked me in my ribs and chuckled. I felt my face grow hot. I knew Silas took me for granted. If I ever spoke of it he’d give me the stiff upper lip. He’d stomp his steel toed boots on the ground and call me a little prick. I wish I’d had the affection for myself to throw up my hands and walk away. But my insides were mushy like stewed fruit when we took the road like this. I stayed.

I did not know where we were headed. Prince was our north star. My tummy rumbled, hungry like wildfire. I fed on Silas’ eyes, red from exhaustion and cut with the glint of diamonds, instead.

The quiet whipped through us like shirts on a line, and I moved around in my seat. Restless. My tongue lay in my mouth heavy like a piece of meat. My fingers clenched at the stale air, and we drove all night.

Day 2. Dry country. Outside the window, the dried grass crackled like flames rising from a wood stove.

“I can’t go no more,” I said.

Silas reached into the front pocket of his Levi’s and pulled out a linty sunflower seed. He popped it into his mouth and cracked it open with his teeth, spit at me, and missed.

“Come on dingus,” he said. “Stick to your seat.”

Silas called the shots, and I took heed. Fidgeting kept me busy in my chair. I wanted to pummel him, bossing me around like this. And I wanted to squeeze his thumb in my fist.

Day 3. Night. We stopped on the shoulder and slept, reclined in our seats. In the middle of the dead space just before the light, I snuck out and traipsed through the cold wet fields. Thin wispy blades swished against my tingling knee caps. I ached all day to get to this quiet place, where the thinking settled and the only thing to do was be. I could walk off the past and future like a bag of soiled shirts at the laundromat. I never wanted to wear so many clothes.

I wished to meld with Silas, to look out at the world through his bedroom window. Maybe he’d stand next to me, maybe not. That part didn’t matter so much. I first met him eating a cheeseburger at Diner 39 in town, tangy globs of mustard dribbling from his stubbly chin. He did not look up as I examined him, his mouth driving to the meat like a wrecking ball. I watched his teeth claw at his meal like it was a carcass in need of dressing still with its hair, twitching muscles and fur. I approached him and asked for a bite of his hamburger. He glanced at me like a lost puppy trying to following him home.

I hung on to our mergings. I carried the habit around like a sleeping bag in the middle of the day. I was lost without him. Bolts of him rusted to my sense of myself, drying up in the sun. While I felt the itch of something not quite right, an invisible finger scratching at the base of my skull, I could not run away. Another life lay dormant, scratching against the inside of my eyeballs, but I kept it ethereal, prevented it from prying its way out. Metaphor knits a thick sweater around the truth.

Day 4. The afternoon ride lulled me under into sleep, and I woke with a start. Silas sat frowning faithfully at the road.

Late that night, as Silas slept in the cab, I stepped again into the night. Under the stars my chest opened, free. Soft like the underbelly of a kitten, alone with the blackness hung above, riddled with its stars. During the day I waded through marshland, and nighttime gave me boots. The cold air brought me new skin like a molting snake. In the quiet I could not ignore a buzzing, a refrigerator hum inside my brain. An incessant itch. I never would say I was born in the wrong body. I just don’t like the one I’m in. Callous where it should be smooth. Right angles where there should be curves. Never knew some people fit so right until I saw Silas getting out of the town pool. His body a soliloquy, a persuasive speech. Made me hang my neck heavy as I stared at my own haunting frame. Who invented a body part that dangles? This, the burden of my birth.

Day 5. The scenery became a blank spot to peer at through the windshield. Dead space. At night our headlights moved the darkness, rearranged the truth. I felt safe there. Then daylight came, dizzy with the dark emerald spark of the ocean. We swerved across coastal border lands, interstices of familiar lands and untamed seas.

Day 6. Time grew heavy on the road. Like it meant nothing before, but now we kept tally marks, our stubborn feet stomping time. Can’t hold onto anything. I clutched my own slippery stories in my dumb fists. But as the dizzying reality of freedom sped by my window pane, I wanted to hold it. Keep it floating weightlessly like petals in a vase.

“Tell me more about Prince,” Silas said.

“Prince lived as wanderers do,” I explained. “Never could tell where he’d be. Used to cook me black beans in a tin can over a fire, outside his trailer in Happy Camp. North country. Thunderous tall trees. Sat around hearing about his travels in India, letting the stories talk to the stars, make music, unfold. Prince got out his old Gibson slide guitar, keeping time while I blew the harmonica. I kept up with him, or tried. Worried Man Blues, Frankie and Johnny. We whooped till the pale cheeks of dawn blushed crimson.”

“Shit,” Silas said. His dark eyes glowed.

“That night, Prince told me that home is when you’ve got a few rocks in your pocket and nowhere else to go. Next to him, I felt glad. He kicked his boots, smacked his sitting log with a whoop and a holler, hitting his palms together like they kept the blood in his wrists. He kept on singing, howling at the wolves. He got up, hopping and skipping around the fire, shirtless despite the chill of the night.

“He lapped up those flames, Prince did. Soaked up their warmth with his torso till his back glistened like a shadow boxer. Me, I simmered like water in a low-lit saucepan, hearing the coyotes and watching Prince blow his big bellows all night.”

Silas seemed encouraged by this. The wind outside whipped through me, crisp and hollow as a potato chip. I never knew how to do anything but run too fast, try too hard. It was a lot to keep everything inside. You never knew, maybe I could have been an artist instead of trailing somebody else’s hide.

When I was a boy I liked to watch fireworks. I wanted to be potential aflame. I’d change my name. Chet, I don’t know about that. The words sound like dry cereal in my mouth. Clunky. Maybe next time around I’ll be a seagull. Some fancy big bird like that. Fly around up there all day. If I gave you a mirror, could you play the part of what you saw? That’s what I did. Chet. Just a whole lot of fooling. That wasn’t me. I’m soft like the back belly of a hillside. An ancient sand dune. There’s flow to me, see. Lift, maybe, sometimes a little lace. Manhood, damned if I ever could rest easy in that place. Being a man felt like carrying around a bag of rocks. Pointy, undignified. What do you do with a a pile of rocks? Nowhere to put it. Lug it around, then.

Day 7. The truck broke down outside Ukiah. Day 8. The ignition stopped turning over in Willitz. After that, nothing but sagebrush and sorry excuses as tailgates rattled by. Day 9. We walked till our fingers puffed up like sausages, looking for help, and slept beneath the sage brush by the side of the road.

Day 10. We walked on. Silas took off his shirt in the sun, blowing thick funnels of hot oxygen out his nostrils and choking on the dry air like sand. I could feel his anger pressing on me, wetting me like moist clay. My chest seized, trying to find its place in my body, as if my torso was fragmented, suspended in midair. I fingered my throat. Everybody wants, crippled with what we might get. Corn colored lines led the obsidian stretch of asphalt into the distance. Horizon meant future. I longed to forget it. Consequences, regrets, words I knew myself by. Shame draws a landscape desolate and familiar.

Wanting poured out of me like soiled kitchen grease. Hot sun. Blank sky. The incandescent air between our bodies tugged at my long, thin fingers, lunging them after Silas’ bare waist. I become a hologram, watching it all shivering just above us. The truth of my desire was too painful to know.

Silas spun around, catching my fingers in his wrist. “Shit,” he breathed with effort, as my diaphragm shook. The air swam in my lungs and I fell forward, falling over his boots. Strands of sagebrush scratched at me as I fell to the earth. Silas grabbed me by the nape of my neck and forced my face into the dirt. I didn’t stop him.

“Where the hell is Prince?” he shouted at me, his ruddy face a few inches from mine. He kicked up dust clouds as he looked back at the asphalt, the rough old road.

I used to fall asleep next to the swirling eddies of the Eel river, under the fluttering leaves of the aspen trees. My daddy used to take me sometimes. He’d throw back his long blonde hair as his body snapped out of the water. He’d comb through it with his fingers by the banks. They used to call him Prince. I caught myself swirled around by an eddy one day. The tide pulled me in like ropes and carried me away. I was alone until my Daddy swam out to catch me. He carried me and dropped my small body on shore.

We all need something to carry us back to land when the current is too strong. I am saved by the magnitude of my wanting, the heavy trembling of earthquakes. Silas is the alchemist of my desire, with him I am real.

“Come on Silas.” I said. “Let’s go.”

Silas built ships. I plugged up the holes. We keep out the water with what we believe in.

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in the end, untitled (no one to title)

Scan-Marion's hearth

The reader, after finishing preparations for supper, surveys the kitchen before sitting down in a rocking chair beside the hearth.  The light hangs heavy and dim.  Greasy pans, onion skins, and a yellow cloth rag litter the chopping block.  It is the first night of daylight savings time, the beginning of winter.  Red potatoes boil zealously in a pot.  The writer, coming in from the outside, carefully scrapes away dirt from their boots.  The scene, they both notice, is a bit bucolic yet not nostalgic. The writer and reader tell it like it is.

“The sky is cold out,” says the writer.  His nose is pink and nipped.  He raises his eyes to meet the gaze of the reader.  He looks around nervously before beginning to speak.

“I thought I was done, but the sun went away and I came back.”

The reader rolls his eyes slightly, imperceptibly, eyeballs sagging back in his head.  He looks at the writer earnestly, with defeat, before chewing on his bottom lip.  ‘Words in their own time, their only time,’  he thinks, before beginning to speak.

“I will not take you back,” says the reader, “I’m sorry.  I cannot love you like that.  You can stay, and I will leave.  I will go to watch the sun sink down slowly, begrudgingly, like a hand stuffed into the pockets of the earth.

The writer stares at the ceiling and down at his feet.  “I’d like to make you happy,” he says, “if I could.  That’s the only thing I’ve wanted to do.  But I can’t do it anymore.  You might let me down, or worse, you might not.  I am turning around, climbing back down those stairs.  I am leaving you, Reader.  It’s not you, it’s me.”

 

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I’ve always wanted to play the bassoon

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Happiness and meaning.  Sometimes they run concurrently like tributaries flowing to the same river.   Other times it’s a decision: choose one from the vending machine of your unscheduled afternoon. We bend the arc of our lives towards potential significance.  But it isn’t always fun.  Sometimes we sink into our own meaningful muck.  We become symbols of ourselves, radiating outwardly from a cracked, hollow core.

Change up.  Depart from this world of meaning, of selfless giving.  Enter inwards and feed the selfish hedon.  Cookies and beer.  Cookies and beer.  Cookies and beer.  Rapaciously gnawing at the prospect of a passing bliss.  I shall not be ashamed of this.

There lies a gaping space between these dichotomous poles.  Why is it one or the other?  Which one should you choose? Which will deliver you to an infallible fate?  I want that one, ooh yes.   Lick your lips with the sugary sweetness of security.  Bite down on an enormous wad of cash.  Use it to buy all the cookies you want.

I dance amongst capricious blips of meaning, ephemeral moments of bliss.  Option 1: Cookies, bubble baths, Seinfeld reruns.  2:  Teach bassoon lessons.  Write a book.  I flit like a firefly between them.  I hover in the interstices of impasse.  I freeze like a 7th grader on a Sunday at midnight with a big science project due and severe ADHD.  The options are too many, too great.  Choose wisely, it’s either/or.

You don’t get anywhere by thinking it through.  No, if that were the case we would have figured it out already.  I think it comes in spittles, in spurts, while you were out walking in the rain.  It falls fitfully, splatters briefly, and then dries onto the top of your bare head.

read also

http://www.theatlantic.com/health/archive/2013/01/theres-more-to-life-than-being-happy/266805/

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Parsonage-Garden-at-Dusk

Beer.  French fries.  Television.  Chocolate.  Wine.  Smoking.  Pills.  Masturbation.  You are coping.  It’s fine.

I cope, too.  I have an imaginary friend named jacob who lives behind my eyes.  I talk to him when I am lonely, when I am alone.  Jacob and I sit on my back stoop at the pin prick between dusk and twilight, munching on matchsticks of straw, teetering gently, rocking in our wicker chairs.  We watch the golden sun get devoured by the underbelly of an aching wild sky.  Infinite, this.  Not me though.  I am coping.  It’s fine.

Some people are hard wired for struggle and flit through it like weightless butterflies, others get mired in the sticky cobwebs of grief.   Some of us are bass drums and others are saggy sacks of oats, puddles of sour milk.  Most of us, though, are somewhere in between.  Brain chemistry.  Not fair.

I strive to be the bass drum: successful, independent, hands out of pockets and strong, my hair strategically amiss.  Would you love me for my bass drum, my intransigent bliss?  No. You’d love me for eating ice cream in the bathtub and farting in my sleep.

Our inability to be perfect is a disservice to our ability to be good.  We’ll never get it quite right.  Forgive others, ourselves, these chemists, for skewing it messy, amok, amiss.

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I’m working on …

I’m working on finding a new story for my life, a story that gives me hope but doesn’t require the happy ending of recovery. This is a struggle in America, a culture that celebrates and practically requires individual achievement, a culture where we don’t have enough stories for imagining lives that do not fit, in one way or another, the success plot.” -Sharon O’Brien, The Family Silver

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scarce

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A voice rings out from the top of the hill.  One voice.   Your voice is essential, unquantifiable, vital, real.  To forget this idea is to misplace your necessity, to forget yourself in shame.  You, the unimportant one, what are you afraid of?  I’m afraid of many things: rabid dogs, hairs in my milk, awkward pauses, wooden roller coasters, tripping on the way to an important date.  If a voice from the center of you screams itself raw, please listen.  If you hear this voice wailing, let it throw its frantic fit.  You could decide to empathize, tell him yes, we know, yes, we understand, true, it’s hard, yes.  You could tell him that if he only proves he’s good enough we can get to where we’re going and then we can rest.  Then we’ll be the best, we’ll be taken care of, set.  But there will still be mirrors there.

We’re all worth one human being, one bean.  That’s all, that’s it.  But there are so damn many of us and compassion loses favor behind a fat stormcloud of desire, a thick canopy of greed.  This is our world: starvation economy.  Resources are scarce and there may not be enough to go around.   We could sell ourselves, our bodies, our brains, our ideas.  What if we’re not good enough?  Who do we think we are?  For Shame.  We are blinded by the brilliant, lustrous clouds.  Yet on the other side is a bag of beans.  They huddle frenetically, quivering in their jar.  There are so damn many of us and we are all worth one bean.  So how do we tell what’s what, and who’s worth whom?  I don’t want to prove I’m better than you to get what I need.

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Foucault is, then, right: psychiatric practice makes essential use of moral (and other evaluative) judgments.  Why is this dangerous?  Because, first of all, psychiatrists as such have no special knowledge about how people should live.  They can, from their clinical experience, give us crucial information about the likely psychological consequences of living in various ways (for sexual pleasure, for one’s children, for a political cause).  But they have no special insight into what sorts of consequences make for a good human life.  It is, therefore, dangerous to make them privileged judges of what syndromes should be labeled “mental illnesses.” -Depression and the limits of psychiatry, New York Times, Feb 6 2013

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the nutria (or, compassionate speech)

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Sometimes when we say things aloud, we say things we didn’t even know that we knew.  This is called compassionate speech.  Sometimes we know something so deeply to be true, even when we tell ourselves it’s not, over and over again.  Sometimes we take pills and diagnose ourselves with things because we are wrong, but there’s really no such thing.  Sometimes we fight against ourselves with every fiber of our being.  This is because we don’t want the thing to be true.  It’s not so much the thing that kills us, but the fighting against it.  When we stop fighting for a second, we realize we have to change in order to accomodate the thing that is true.  This is scary, and this is hard.  This accounts for the trembling in our bones.  Change is unpredictable.  You cannot know how it will go.  It could be terrible, or awful, or hard.  Better just to stay where you are.  Better to stay where you recognize the landscape, where the scenery is familiar and the people look the same.  Yes, it’s better not to change.  You go on pretending, you go on living.  You use every granule of your energy to keep this thing down, way low to the ground, buried underneath the soil.  You keep it hidden in the middle of your guts.

The thing is like a rat.  A ferret, a nutria.  It possesses continuously growing incisors.  It trims its teeth on your insides.  You can’t tell anyone.  That’s gross.  It wiggles and squirms and gnaws at your intestines, like I said.  It squeaks; it makes noise; you shut it up.  Again and again and again.  It peers at your viscera with glassy black eyes.  Its whiskers tickle your stomach, you are gnawed at by its fangs.  Shhhhh.  Secret.  Can you live knowing you are different?  Can you live knowing you are not the same?  I am just myself.  I wish it were enough.  I wish this fat furry creature would waddle away.  Its hot breath seeps out of my pores in musky beads of sweat.  Have you kept a secret before?

Secrets have incisors, secrets have claws.  Secrets live inside your gut as you go on about your day.  They eat at you until your soul is brittle like sandpaper, dry like bones.  You have to keep going, you must feed the beast.  Anything to get it to go to sleep.  It bares its puffy gums; drool crusts on the corner of its lips.  It blinks its dead black eyes and shakes its cheese fat under its mangey fur.  It grunts and hobbles, its belly droops, drags onto the ground.  How can I ask this creature to go away?  I plead with it.  I placate it with sugary sweets.  Even if it leaves for a moment, it will come back, snarly and sweaty and licking the walls of your insides.

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duality

Time is like light, a particle and a wave.  We know ourselves in infinite singularity: undeniably permanent, boundlessly present.  We occupy a point on the plane of forever.  And, we live inside a larger constant motion, the undulations of indefatigable change.  This wave swallows us, but does not consult us.  In it we surge swiftly towards the deluge of death.  This, at speeds we dare not comprehend or predict.  We are infinite. We are never the same for an instant.  It happens simultaneously.  Altogether.  At once.  Good to remember sometimes.

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